Sunday, November 11, 2012

Lest We Forget






Dulce et Decorum Est

Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs,
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots,
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of gas-shells dropping softly behind.
Gas! GAS! Quick, boys!—An ecstasy of fumbling
Fitting the clumsy helmets just in time,
But someone still was yelling out and stumbling
And flound’ring like a man in fire or lime.—
Dim through the misty panes and thick green light,
As under a green sea, I saw him drowning.
In all my dreams before my helpless sight,
He plunges at me, guttering, choking, drowning.
If in some smothering dreams, you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil’s sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues,—
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: Dulce et decorum est
Pro patria mori

Wilfred Owen, 1893-1918
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Thursday, August 16, 2012




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Thursday, July 26, 2012

Another Fringe Thought

Last night we went to see The Adversary at Cinematheque. This was one of the very few shows I had no prior experience with or knowledge of the company. The description on the poster - Woody Allen meets The Wire - intrigued me.

Performer/writer Andrew Bailey has crafted a wonderful one-person show about his time as a caretaker at a urban church, his dealings with the poor and and addicts. I highly recommend this show, particularly those who work with the marginalized.

While I was waiting for Rachel to finish her play (I almost always sit on the planters by the show boards) a strange old lady sat down beside me and asked if I was an undercover cop.
"Um, no. No, I'm not. Can I ask why you thought I might be?"
"Well, I saw you sitting here the other day. "
Nope, just a creature of habit.

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Tuesday, July 24, 2012

More Fringing

Just got back from a show and I wanted to recommend it. As I've said, I.m not seeing many shows this year; the ones I am seeing I'm pretty confident I'm going to enjoy. The Wonderheads' show Loon is amazing. I've seen some great shows, but Loon is magical and beautiful, funny and moving. How an actor can convey and illicit such emotion from a large mask is beyond me. If you have to take one recommendation from me, see this show.





Winnipeg Fringe 2012

I know that at least one person is curious about what I've seen and liked at this year's Fringe. Unfortunately, I'm not able to see as many plays as I'd like and most of the plays I am seeing the tickets were purchased in advance. No word of mouth additions, very few new companies. I was pretty sure going in that I would like most stuff.

The Witch and Poor Man's Guide to Being Rich. Venue 20.

We were supposed to see these last week at the original Venue 20, Aqua Books, before the city closed the place down for lack of permit (which, given that this happened to Aqua Books with Jazz Fest a few short weeks ago, is inexcusable). Finally got to them yesterday. Both shows are really good.

I know that it's an overused cliche to say, "I'd listen to that guy read the phonebook," but I'd happily listen to Erik de Waal read the phonebook. The Witch is a rich tale that weaves narratives and legends. I'm not sure I always followed the story as a whole (the African names of the characters sounded alike to my Canadian ears), but de Waal is an excellent performer and storyteller.

Shelby Bond's personal narrative/stand up didn't so stick much to the theme outlined by the title (though he returns to how broke he is) and some of the jokes fell flat, but Bond is hard not to like. He worked the line before we entered the theatre; he had genuine rapport with the audience. Overall, a very funny show.

The Holy Land Experience
I've never seen Martin Dockery perform, but he's a name I recognize for previous Fringes. His shows are always well received and I'm really glad I saw this one. Dockery blends various threads - going to Bethlehem one Christmas, visiting the Holy Land theme park in Orlando, his difficulty with monogamy - into a funny, thoughtful show.


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Friday, May 11, 2012




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Friday, April 27, 2012

Another happy reader





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Monday, April 23, 2012

Well, my book has been out for a couple of weeks now. It's starting to appear in libraries across the globe. I've been thinking about some grassroots ways to promote it when a former student tagged me in a Facebook photo.


Brilliant, Steph!

So, if you want to help, here's what you can do:

1) Request your local library bring in a copy (or three) of The Lasting Influence of the War on Postwar British Film
When it comes in (or if they already have a copy)

2) Check it out.

3) Take a photo of yourself with the book and tweet it or email it to me.

Friday, April 13, 2012

Two things of interest in terms of my book:
1) The University of Winnipeg bookstore could be hosting a launch for my book. It might not be until fall - apparently they like to wait until there's an outside chance of an audience - but that's cool. I'll keep you posted.
Unfortunately I suppose it means that I'll have to get my fall 2012 textbook order by their new, ridiculously early April 15 deadline.

2) There are already a used copy selling through amazon.ca. Sure, it's selling for $85 which is more than amazon is selling new copies. Good luck with that. For an extra $2.50 I'll autograph a post-it note for you.

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Thursday, March 29, 2012

Dreamland






All right, I get that I've been posting a lot of pictures of my dog lately, and that a lot of those pictures are of him sleeping. That's what he does. It's his move.
There's usually a daily burst of energy (typically around 8pm) when he tries to get someone to chase him around the living room. But for the most part, he's a sleeper.

And when he's sleeping, I find myself watching him, the shudders and whimpers that accompany his sleep, and wonder what goes on in his dreams.

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Sunday, March 25, 2012

It's 9:30 in the morning




And I'm just waiting for my dog to wake up.

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Sunday, March 11, 2012

It's available this week!!!

According to Amazon, my book will be available on March 13. As you can tell from the pictures, my copies arrived recently, and, in all honesty, it looks fantastic. I am so pleased with how it turned out - lay out, font, picture placement... everything.

As I have said before, because this book is considered "academic" - and therefore priced higher than trade books - I don't expect people to buy it. If you can afford it, are interested in the subject, please do. But I don't want people (even people who know me) to feel obligated to purchase it. However, I would also like to see this book sell out; if the initial run sells out, the publisher might consider a cheaper paperback version.

In order to make that happen, I'm asking people to do two things:

1) Go to your local library. Request that they bring this book in.

Here's the information you'd need.

The Lasting Influence of the War on Postwar British Film
Michael W. Boyce
Publisher: Palgrave Macmillan
ISBN-10: 0230116892 ISBN-13: 978-0230116894

Now, once the library brings the book in you should probably check it out, maybe read it, but that's between you and your god.

2) Spread the word. Tell your friends to do the same. I'd like to see this book in libraries all over the globe. I wrote it to be read, not to make money. Academics don't (usually) write for profit. We write to disseminate ideas.

If you are able to buy your own copy, here are some links to various online bookstores. Many of them are offering better discounts than I can get as the author.

Chapters Indigo (Canada)
Amazon.ca (Canada)
Amazon.com (U.S)

Amazon.co.uk (UK
)
Blackwell’s (UK)


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Monday, March 05, 2012

My book around town





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Wednesday, February 29, 2012

He likes it!

The other day someone was telling me about one of their Facebook friends who posts pictures of coffee cups whenever he "checks" in from a coffee shop. That gave me an idea to do a similar "garden gnome" thing with my book - take pictures of it all around town like people do with gnomes or Flat Stanley's.

Here is the first such picture:



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Sunday, February 19, 2012

It's here!!!

My author copies arrived on Friday. I can't even begin to express how thrilled I am with the final product.




"With scrupulous and brilliant close analysis of key films and stars, Boyce reveals and complicates a new era of 'Britishness' in the immediate postwar years, one irrevocably marked by war trauma. In remarkably clear prose, The Lasting Influence of the War on Postwar British Film illustrates a social and historical unconscious that has largely been ignored yet emerges as a crucial period in the history of British cinema and nation (re)building." - Dina Smith, associate professor of English, Drake University

'Like Raymond Durgnat's and Charles Barr's exceptional studies of English cinema, Michael Boyce's work combines highly informed and nuanced cultural commentary with elegant close readings of individual films. Boyce offers surprising insights on a great many topics, from the strained rhetoric of accommodation and the beleaguered assertions of resistance dramatized in such 'conservative' films as Brief Encounter and In Which We Serve to the oblique, searching commentary on children displaced from their homes during the war in the adaptations of Dickens novels. Again and again, Boyce overturns received ideas about performers and genres in the austere, post-war environment, and does so in a manner that is witty, self-questioning, and alive to narrative pleasures of every sort.' - George Toles, University of Manitoba

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Thursday, February 09, 2012

Just one of those days

Yesterday, in order to best describe how things have been going lately, I turned the name Sisyphus into a verb.



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Saturday, January 28, 2012

Update

Okay, I know I haven't been around here much lately. I think I have a reasonable excuse: I’m about to publish a book. It’s set to be released March 2012. I think it’s pretty good; in fact, so do a few other people.

The book is about postwar British film. Although most of the films made in the ten years after the war ended (1945-1955) never mention the war explicitly, the war and the postwar realities (rationing, rebuilding, and Britain’s diminishing role as world power) are just below the surface in films like Scrooge, The Third Man, The Ladykillers and others.
Now, here’s the thing: the book is priced as an academic book, which means it’s priced higher than most books. I’ve been told that if the initial print run sells out, the publisher would consider a reasonably priced softcover. So rather than asking people to order copies for themselves, I’m asking people for three things:
1) Request their local libraries (public or academic) to buy the book. Here’s the information you’ll need to know:
The Lasting Influence of the War on Postwar British Film
Michael W. Boyce
Publisher: Palgrave Macmillan (Mar 13 2012)
ISBN-10: 0230116892 ISBN-13: 978-0230116894
Chapters Indigo (Canada)
Amazon.ca (Canada)
Amazon.com (U.S)
Amazon.co.uk (UK)
2) Click the like on the amazon.com and amazon.ca pages.
3) Tell as many people as possible to do the same. Ask your friends all over the world to get their local libraries to order the book as well. I don’t expect the book to be a “best seller,” I don’t expect to make a lot of money from this book. I am proud of it and I would like to get as many copies out there as possible
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Test


I haven't posted on here in some time, but I intend to correct that.

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